The big news that , of course, is that the writers’ strike finally appears to be at an end.

Showrunners are back at work today, and writers are expected back Wednesday, but I have to ask: what precisely did they win? WGA west President Patric Verrone said the new deal is “… not all that we hoped for, and it is not all we deserve.” Judging from what I see in TV commercials, however, I fear it will be even worse than that.

Why so pessimistic? I was fairly happy that that was all by until, on Sunday night, I saw a commercial for something on NBC with the word “Truth” in it (the full name escapes me, and I really just can’t justify the effort to find out what it is). On that rather reprehensible program, a man seemed to be answering questions, while hooked up to a lie detector, with his marriage and, I presume, most of his life in the balance.

Does anyone see the entertainment value in that? And whether so, could you please explain it to me? Here’s hoping that the labor peace will lead to some actually scripted TV that fall, but I fear the breach will be too much to mend. I’m certain there’s blame to go around, but just to pile on NBC a bit more, the network has already announced it is ending the pilot process used to woo advertisers, which can only be a poor sign.

But ample of that. Even whether I fear it will be a phyrric victory at best, the writers are indeed headed back to work, and we should at least celebrate that. And, since nothing makes Mondays go down better than good news about beautiful women, that’s all I’ll have from here on out (at least until the very end.)

No “Heroes” until Fall

One show that will definitely return, but not until Fall, is NBC’s “Heroes,” which is seriously in need of a good season after the near-disaster that was Volume 2.

Hayden Panettiere, while at the Berlin Film Festival, spilled the beans to an AICN scribe that filming on season three is set to start in April, which would logically mean we wouldn’t get anything new until the Fall.

Whenever it comes, I’ll be ready for more. Season two was often a maddening one to me (what in the world was the point of adding the wonder twins Maya and Alejandro, for starters?), but the last few episodes really picked up steam and set up well for the next edition, so definitely bring it on.

Ellen Page is headed to “Hell”

And finally we get to the still-fairly-young lady of the moment. Lest anyone get suspicious that I write about Ms. Page so often simply considering it leads to more traffic on that site (which it certainly does), you’ll have to trust me that

that’s not it.

I’ve seen “Juno” twice now, and it’s simply a charming little movie, and mostly thanks to Page’s work in the lead role. It’s not the best movie of 2007, an honor that I’d split amidst “No Country for Old Men” and “Ratatouille,” but I would shout it just about the most fun flick of the year, and that’s good adequate for me.

And now Ellen Page is about to spread some of her good karma to someone who sorely needs it: Sam Raimi. No one (except for perhaps M. Night Shymalan) is more in need of a satisfying flick than Raimi after the dour catastrophe that was “Spider-Man 3,” and his next one, “Drag Me to Hell,” is rapidly shaping up to be just the ticket.

All I know so far is that Ellen Page has just signed on to star in the horror flick and that it’s described simply as “a morality tale about the unwitting recipient of a supernatural curse.”

Raimi and his brother Ted, the team behind “Spidey 3,” wrote the script for that one too, so here’s hoping they indeed have a lot more fun when that begins shooting in March.

“Veronica Mars” gets Disney treatment

Speaking of “Heroes,” Season 2 semi-regular Kristen Bell has just signed on for a Disney romantic comedy, not at all my cup of tea but noteworthy nonetheless.

In “When in Rome,” plus set to start filming in March,” Bell will play a successful real estate agent in New York City who can’t find a lasting relationship (already more than bit hard to believe.) When her younger sister impulsively marries in Rome, she flies out for the wedding and, after picking up coins from a reputed “fountain of love,” finds an overabundance of suitors waiting for her back home.

Like I said, sounds like a whole lot of meh to me, but don’t blame the messenger.

“Ratatouille” cleans up at Annies

And speaking of “Ratatouille,” Brad Bird’s Pixar flick won a leading 11 Annies (by my best estimate) at Friday’s ceremony, so a hearty huzzah to that.

Along with best picture, best writing and best directing, it additionally scored the voice work prize for Ian Holm (though I would have given the honor to either fellow “Ratatouille” nominee Janeane Garofalo or the somehow-snubbed completely Peter O’Toole.) And while we’re at it, congrats too to “Buffy the Vampire Slayer” vet Seth Green, a winner for best director of a TV show for the sublime “Robot Chicken.”

And why not wrap that up with a look at Pixar’s next summer offering, “Wall-E”? I still have doubts that that largely dialogue-free flick will work, but just a look at Wall-E’s eyes is decent to give me hope. Enjoy the trailer, and have an entirely bearable Monday. Peace out.

Original post by Reel Fanatic