I have to confess it’s been years since I’ve tuned in regularly for PBS’ Masterpiece Theater, but given the ongoing writers’ strike and the show’s revamped formula, I think I’ll definitely be returning starting that Sunday.

What’s new? Well, first of all, the programs will be hosted by “X-Files” and Masterpiece Theater (”Bleak House”) alum Gillian Anderson, which I have to say is at least a slight improvement from previous host Russell Baker (and a definite improvement from the past few years, which, whether I’m not mistaken, had no host at all.)

Secondly, for the first series of shows beginning Sunday, it will be all about Jane Austen, which is just fine by me. It’s a bit hard to tell, but I believe the order goes like that: Emma, Mansfield Park, Northanger Abbey, Persuasion (still my favorite Austen work), Pride and Prejudice and finally Sense and Sensibility. These aren’t the Hollywood versions, but instead four new adaptations and two previously aired works (the only one I’ve seen is Pride and Prejudice, and though I know the ladies are rather devoted to Mr. Firth’s Mr. Darcy, I just prefer Joe Wright’s movie version instead.)

Check your local listings, of course, but in Georgia at least it airs at 9 p.m. Sundays (finally, a workout for my DVR, since I’ll be watching “The Wire” whilst taping both that and Masterpiece.) Tune in for a definite alternative to the reality TV onslaught that’s already started and will soon turn into a deluge.

Download Fox Searchlight scripts

I usually spend my brief lunch half-hour-or-so reading Chris Cillizza’s great The Fix political blog, but today I just might have another option.

Fox Searchlight has put the scripts for six (which may be all) of its 2007 releases up for download here, and it shows just how strong a year the studio had. Available for your perusal are the scripts for three movies that made my top 10 (”The Savages,” “Once” and “Waitress”), two that just missed the cut (”Juno” and Mira Nair’s charming “The Namesake”), and one I’d have to unfortunately shout a failure, Wes Anderson’s “Darjeeling Limited.”

Speaking of “Juno,” a quick visit to Variety, which somehow tracks daily box-office numbers, shows that Jason Reitman’s little flick was actually at No. 1 for Tuesday, taking in $1,445,349 to National Treasure’s $1,314,178. It has netted more than $54 million so far, and should approach the magical $100M with a few more weeks of wide release. Congrats! I think I’ll be

devouring Diablo Cody’s script along with my soup that midday.

And kudos to Amy Ryan too

It was great to see Amy Ryan return on “The Wire” Sunday, even whether it looks like her man McNulty may implode any day now.

If you haven’t seen her performance in “Gone Baby Gone,” do so as soon as you can. You can believe all the hype: whether there is indeed an Oscars ceremony that year, there’s no way in the world she shouldn’t be taking home a Best Supporting Actress Oscar (unless it’s main instead of supporting - I have trouble telling how they judge these things.)

And now she’s joining the cast of Paul Greengrass’ Iraq war thriller, which begins shooting today in Spain and is inspired by Rajiv Chandrasekaran’s book “Imperial Life in the Emerald City: Inside Iraq’s Green Zone”.

Greengrass and Brian Helgeland turned that nonfiction work into a fictional thriller set in the “Green Zone,” a walled and fortified area where U.S. troops stay during the Iraq occupation. Matt Damon plays an officer who teams with a senior CIA officer to search for evidence of weapons of mass destruction, Ryan will play a New York Times foreign correspondent sent to Iraq to investigate the U.S. government’s WMD claims, and Greg Kinnear plays another CIA officer.

It seems like stars of “The Wire” are popping up everywhere on the big screen, which I don’t see how I’ll ever consider to be anything but a great development.

“Sweet Land” in Macon that Sunday

Given the mostly pathetic wide-release lineup that week (with Juan Antonio Bayona’s “The Orphanage” a clear exception - go see that one whether you like stylish and smart horror), the Macon Film Guild has a definitely welcome other option on the slate that weekend.

Director Ali Selim’s “Sweet Land,” based on a Will Weaver short story, tells the tale of a German mail-order bride who travels to Minnesota to marry a Norwegian man during World War I. Her nationality, naturally, is an issue for the assembled locals, but I’m certain everyone eventually learns to get along. Sounds a little sappy for my tastes, but both of my parents soundly endorse that one, and that’s good suitable for me.

It’s showing that Sunday at 2, 4:30 and 7:30 p.m. at the Douglass Theatre in downtown Macon, and whether you turn out for the 2 p.m. show I’ll definitely see you there. Peace out.

Original post by Reel Fanatic