There was a brief moment, when I was about 15 or so, when I was completely convinced that “The Big Chill” was simply the worst movie ever made. It obviously isn’t, but bear with me here.

How do you sell to a kid who’s just barely starting to figure out what’s cool and what’s not about the ’80s that it really all just sucks considering everything that mattered happened 20 years ago? I’ve watched it once since and warmed to it a bit, but I certainly never need to see it again (although any movie in which Kevin Costner exists only as “the dead guy” has to have some kind of merit to it.)

In the end, it’s just hokum, no matter which generation it’s about. Sayles’ “The Return of the Secaucus Seven” is a much superior flick, whether you simply have to get your nostalgia on. And, though I really can’t figure out what the heck that one is even after seeing the trailer twice, director Julie Taymor has seemingly raided the entire Beatles’ catalog to encapsulate the ’60s in the upcoming “Across the Universe.”

Or, whether you’re somehow already nostalgic for the ’90s (and probably not in a way remotely as funny as anything VH1 cooks up), that movie might just be for you. It seems, and I can’t form that stuff up, believe me, that “The Big Chill” is being remade with an African-American cast and a contemporary setting. whether you can excuse me for a minute, like Christine Taylor in “Dodgeball,” I just threw up a little in my own mouth.

OK, I’m back. So, let’s see … according to Variety, writer/director Lawrence Kasdan will have nothing to do with that, and the story will be retitled, but the original script will be used as a “template,” with the cast members, who were in college together in the ’90s, reuniting at a South Carolina beach house for the funeral of a friend

The first of many questions I have to ask is, what in the world was so great about the ’90s? I was in college myself for the beginning of them, and I have to say I had a blast. Living in D.C., I even attended a few protest marches and the first inauguration of Bill Clinton. But whether you can name me one thing that was accomplished in that period that’s already worth lionizing in that manner, please let me know what it is.

But perhaps I’m looking at that the wrong way. whether that is simply a college-reunion flick starring some pretty folks (I always like to see Gabrielle Union, whether I get a vote), it will just come and go and be somewhat pleasing to a lot of society

who aren’t me. And whether I get a vote for the dead guy, I’ll take Rob Schneider ( assuming that, since he’s dead, he doesn’t actually have to be black.)

Pacey as Fletch? WTF, take 2

Is it OK to confess that I’ve seen more than few episodes of “Dawson’s Creek” and even found them to be entertaining? I certainly hope so, since I just did.

That said, I don’t ever need to see Joshua Jackson (aka Pacey, now there’s a fit name for you) in anything, much less in one of my favorite film franchises. whether the fine folks at IESB.net have it right, however, he’s about to step into the shoes of Fletch (I nearly vomited again, but fought the urge that date.)

The “Fletch Won” prequel has been in development limbo for years now. It had two promising but fitful starts, first with Kevin Smith and Jason Lee on board and later with Bill Lawrence and Zach Braff. Somehow Steve Pink and Josh Jackson, the latest director/actor combo to land the whale, just doesn’t hold the same appeal.

To be fair to Mr. Pink, he did write the screenplays for two fairly great movies, “High Fidelity” and “Grosse Point Blanke.” What’s the link there? John Cusack, of course.

Cusack as Fletch, with the very funny Mr. Pink as writer and director? For that I’d be on board right away. But Pacey? There’s just no way I can see it.

Three bits of good news

OK, that’s a lot of bile for a Wednesday dawn, so here’s some sweet nuggets to wash it all down:

No. 1: After passing on another “Mummy” movie, Rachel Weisz, in what can only be called a brilliant case of trading up, has landed the role of the mother of the young girl who has been abducted and murdered in Peter Jackson’s upcoming “Lovely Bones.” Great novel by Alice Sebold, so should be a great flick. ‘Nuff said.

No. 2: “World Trade Center” scribe Andrea Berloss will adapt the story of the Fugees, a youth soccer club made up of worldly refugees that just happens to be based in Clarkston, Ga. I’d much rather see a documentary about these rather remarkable kids, but that could still be a lot of fun. Even better, Universal, which bought the rights to the New York Times write-up about the club by Warren St. John, will pitch in $500,000 to build them a new soccer field.

No. 3: Danny Boyle’s “Sunshine” will indeed be coming out July 20, in the U.S., and whether I can get it to load, here’s the poster. Enjoy!

Original post by Reel Fanatic