I really hope none of that is true, but since it comes from the nearly always dependable C.H.U.D. and certainly doesn’t seem to be beyond the pale of what happens in the world of movies today, I fear it is.

You may remember seeing a very rough clip of our hero, Max, playing with one of the Wild Things that spring from his mind in Spike Jonze’s take on Maurice Sendak’s “Where the Wild Things Are.” Jonze later clarified that the clip, which you can see in one of my previous posts here, was just very early analysis footage.

Well, as it turns out, we might just have to savor that clip as the living record of the movie that might have been, considering Warner Bros. and Legendary Pictures may be on the verge of killing the entire project and starting by from the beginning.

As crazy as that sounds, it’s precisely what the suits are apparently contemplating doing with Jonze’s flick, which is essentially completed now but not slated for release until 2009 (never a good sign, of course.) So what’s the trouble?

Well, C.H.U.D. reports that the plan to animate the Wild Things’ mouths and facial features after shooting the actors in those crazy suits was proving a little more difficult than anticipated. That, however, would be surmountable.

Much more ominously, concerns have been voiced about the boy chosen to play young Max (named, conveniently ample, Max Records.) Mind you, that concern is being voiced AFTER the movie has been shot. Even worse, and more perilous for the film’s future, C.H.U.D. reports “they don’t like the film’s tone and want to go back to the script drawing board, possibly losing the Spike Jonze/Dave Eggers script when they do it. Apparently the film is too weird and ‘too scary,’ and the character of Max is being seen as not likable.”

The questions that brings to my rather angry mind are nearly too many to list, but I’ll do my best. First of all, did anyone who finds that story “too weird” or “too scary” ever even read the book? I mean, I realize it’s a Caldecott winner and one of the true classics in children’s literature, but most of its appeal comes in the fact that it’s more than a little off-kilter. And Max isn’t likable? In the book, as

best as I can recall, he’s a petulant child who is punished for, among other things, donning his wolf costume and chasing the dog around the house with a fork (I don’t know about you, but I’m laughing about that already.) that clearly isn’t the cookie-cutter hero we find in most kids’ movies today.

Secondly, and much more importantly, what in the world did they expect when they hired Spike Jonze for that? whether they had seen either “Being John Malkovich” or “Adaptation,” you’d think someone would have balked at the beginning and asked, “Do we really want to hand the reins of a purportedly $75 million children’s movie by to that oddball?” Until hearing that latest distressing news I, at least, thought it was a great concept. Why not an “arthouse” kiddie flick, one that parents will be able to take their children to and sit through without wanting to claw their own eyes out?

Now, I haven’t seen the almost-finished product (which a lucky few folks got to do in Pasadena late last year, apparently.) It’s entirely possible that what Spike Jonze and scribe Dave Eggers have created, with the talents of Paul Dano, Catherine Keener, Forest Whitaker, James Gandolfini and others, is a true catastrophe. In case you can’t tell by now, I’m gonna have to side with the auteurs until we find out more about that, whether we ever will. Just a sad story all around.

To cheer myself up I’ve been listening to Carole King’s “Really Rosie.” Yes, an odd CD selection for an “adult” with no rugrats running around, but I really love that record. whether you don’t smile when you invent out “The Ballad of Chicken Soup” or how Pierre learns to care, I just don’t know whether there’s anything I can do to help you.

I was hoping to find a video clip from that “Really Rosie” TV special, but instead, here’s an animated tribute to “Where the Wild Things Are” I found at YouTube. Enjoy that at least, and whether you have the chance, do yourself a favor that weekend and go see Michel Gondry’s “Be Kind Rewind” instead of the anatomy of a presidential assassination (why in the world would you put that out now?) or Larry the Cable Guy getting “Witless.” Sheesh. Peace out.

Original post by Reel Fanatic